The variety of rural veterinary life
All Creatures Great and SmallThe variety of rural veterinary life is more than a succession of different patients. It is a working condition that carries James Herriot from one species, crisis, hour, and emotional register to another, often before he has recovered from the last. A six-month reckoning of practical work ranges from calving and farrowing to treating dogs and cats, yet experience does not make the work predictable or the young veterinarian certain of himself. The book’s variety is both its promise of unending interest and the pressure that makes every new call an examination of skill, judgment, and endurance.
A Practice Without a Single Routine
The work crosses the boundaries between species and kinds of labor. In six months, James Herriot treats cows, horses, pigs, dogs, and cats, working mornings, afternoons, evenings, and through the hours when the world is asleep. Calving cows and farrowing sows leave his arms aching and his skin peeled; being knocked down, trampled, and covered in muck makes the physical cost of the job inseparable from its clinical demands. His exposure to a broad range of animal diseases is real, but it does not produce a settled sense of mastery.
The calls also vary in urgency and setting. A horse in a deeply bedded box staggers continuously around the perimeter, drenched in sweat and foaming at the mouth. Ordinary colic treatment has already been tried, but Herriot recognizes that the severity and persistence of the pain may indicate a twisted bowel. Rectal examination lets him feel the displacement of the small intestine and an abnormal tense mass. The case moves from alarming visible symptoms to a more specific clinical finding, but the examination itself does not dissolve the pressure of deciding what can be done.
Other cases demand a different pace of observation. In a dog with a grossly distended abdomen, Herriot reads pain in its breathing and expression, notices how a brief response to its master quickly fades, and carefully rolls it over to find the source of the trouble. With Strawberry, a cow that initially appears little affected, the clues are slight: a swallow that catches and a faint snoring sound. Herriot suspects an abscess behind the throat, warns that its position could make it dangerous to breathing, and prescribes hot-water fomentation and salve. Over ten days the cow eats less, loses weight, and gives less milk while the abscess develops slowly. In each instance, a different body and course of illness require attention to what can be observed, what remains uncertain, and how quickly the condition may change.
Uncertainty as Part of the Work
The variety of cases is matched by a variety of limits. Herriot looks back on five years of study in subjects from botany and anatomy to pathology, parasitology, medicine, and surgery, followed by six months of intensive practice. Yet he feels that he knows nothing. The gap is not presented as a lack of effort: his training has given him a store of knowledge, but the living animal brings conditions that cannot be mastered merely by recalling facts. Around him, farm workers, neighbors, pub-goers, and gardeners offer confident advice, sharpening the contrast between casual certainty and the veterinarian’s awareness of what he still cannot know.
Clinical judgment therefore develops through qualified conclusions rather than omniscience. In the horse’s case, Herriot does not announce a diagnosis before examining the animal; he says that the symptoms could mean torsion, then performs a rectal examination and identifies the displacement. In Strawberry’s case, the early signs justify concern but not certainty, and treatment proceeds while the abscess’s course remains difficult to influence. These episodes make uncertainty practical: it shapes what Herriot checks, what he tells an owner, and how he acts while waiting for evidence to become clearer.
Nor is the work governed by a convenient schedule. At 3:15 in the morning, Herriot is woken by a call about a mare having difficulty foaling, only shortly after returning from an awkward calving and getting a few minutes’ sleep. The summons interrupts bodily exhaustion rather than arriving after a clean interval between jobs. At the Dixon farm, a breech foal’s legs lie beyond easy reach; Herriot spends half an hour using ropes and a blunt hook on a flexible cane to bring one leg around. When the foal finally emerges, it appears lifeless to him at first, then jerks, shakes its head, and expels fluid. Relief follows not from the work becoming easy, but from a feared outcome being reversed.
Weather, Labor, and Reward
The countryside in these episodes is not simply a peaceful backdrop to veterinary practice. A cow with milk fever has slipped down a muddy bank into a beck after calving and lies unconscious with her hindquarters submerged, while her soaked calf trembles nearby in driving rain. After intravenous calcium, she begins to move her head; Herriot and the farmer pull at her horns and shoulder until she settles upright on her chest. He stays rather than leaving her in the water, and waits another half hour, teeth chattering, until she struggles to her feet. The treatment’s success is inseparable from the wet, cold setting and the decision to remain with the animal until the immediate danger has passed.
After the difficult foaling, the outward journey briefly gives the night a quieter scale. Herriot drives through the pale morning light, remembers the foal struggling toward its knees, and feels glad that the small animal was alive after all. The practical reward is not simply a completed procedure or a farmer’s gratitude; it includes the knowledge that a vulnerable creature has survived. A different night call, to a sow, ends with piglets busily suckling and the sow grunting contentedly. Herriot rubs himself with a sack stiff with old manure, pulls on his clothes, and returns to the car. Only in the cold air outside does he laugh at the contrast between the champagne he had been drinking and the work that has reclaimed him. The next morning, variety is the word he associates with the career: not an abstract virtue, but a pattern made from abrupt changes of task, place, and circumstance.
Care Beyond the Diagnosis
Veterinary work also brings Herriot into rooms where an animal’s illness is bound to a person’s life. During regular visits to Miss Stubbs, the details of the cottage recur: dogs on the bed, a small cluttered room, and a plain card reading God is Near above her. Miss Stubbs has been confined to bed for a long time, but her concern is for her three dogs and two cats. When Ben dies, she touches his head before Herriot carries him out. She then tells Herriot that she fears she will die next and worries that she will not be reunited with her animals because some people say animals have no souls.
Herriot answers her not with a clinical finding but with reassurance rooted in love, loyalty, and gratitude. When she asks him to be honest about whether her animals will go with her, he says that he believes they will. The scene enlarges the meaning of the work without turning a religious hope into a veterinary fact: care involves listening to what matters to an owner as well as attending to an animal’s body. Across the cases, the veterinarian moves between examination, treatment, physical effort, sleeplessness, relief, and consolation. That movement gives rural practice its variety, while also showing why it cannot be reduced to technical procedure alone.